A Guide to Literary Terms

* Alliteration

* Allusion

* Anaphora

* Imagery

* Irony

* Metaphor

* Meter

* Personification

*  Satire

* Simile

* Stanza

* Stream of
Consciousness

* Tone

* Imagery  

All of the sections of this web page are listed in alphabetical order, with this exception of this section on imagery, metaphor and simile, since these set the groundwork for further discussion. This section also includes several terms used in poetry.

Images can be literal or figurative. Imagery in writing can be extremely descriptive and pictorial and can, in fact, sound very "flowery" and "poetic" without using any of the figures of speech that make up figurative writing. An example is this excerpt from Frank McCourt's memoir, Angela's Ashes, which won the National Book Award in 1998:

From October to April the walls of Limerick glistened with the damp. Clothes never dried: tweed and woolen coats housed living things, sometimes sprouted mysterious vegetations. In pubs, steam rose from damp bodies and garments to be inhaled with cigarette and pipe smoke. It was laced with the stale fumes of spilled stout and whiskey and tinged with the odor of piss wafting in from the outdoor jakes where many a man puked up his week's wages. The rain drove us into the church--our refuge, our strength, our only dry place. At Mass, Benedictions, novenas, we huddled in great damp clumps, dozing through priests' drone, while steam rose again from our clothes to mingle with the sweetness of incense, flowers and candles. Limerick gained a reputation for piety, but we knew it was only the rain.

This excerpt shows, in the clearest way, a good description, which calls upon all of your senses: visual, auditory, olfactory, gustatory and tactile. Despite the beauty of this writing, McCourt does not utilize figures of speech (or figurative writing) to describe church-going in his city.

Similarly, this excerpt does a beautiful job utilizing literal description (with the exception of one simile). Again, the author calls upon the senses of smell, sight, touch and hearing:
The swollen creek, sliding through the trees, was about eight feet higher than it had been yesterday. The log bridge we had crossed was under water because, Maurice told us, the dam where I had smelled the smell of the Brazilian cerrado had been washed out. Indri were calling in the distance--a sad, beautiful sound, like the song of the humpback whale, or the wail of a loon. That morning we saw more kinds of birds than I had ever seen in a single outing. They were so unfazed that they obliged you to walk right up to them. Among the ones we identified were blue couas, opalescent green doves, magpie robins, rollers, vermilion foudias, sunbirds, drongos, warblers, forest kingfishers, rails, honeycreepers, cuckoo shrikes, blue vangas and bulbuls. Seventy species have been identified in the preserve, but there were more.
                                                                   --from "The Last of the Dog-Headed Men,"
                                                                        African Madness ,by Alex Shoumatoff

Pauli Murray's litany of adjectives makes this description all the more powerful as she talks about growing up in North Carolina in the early 1900s. This excerpt is taken from Trouble in Mind: Black Southerners in the Age of Jim Crow, by Leon F. Litwack:

 

It seemed as if there were only two kinds of people in the world--They and We--White and Colored. The world revolved on color and variations in color. It pervaded the air I breathed. I learned it in hundreds of ways. I picked it up from grown folks around me. I heard it in the house, on the playground, in the streets, everywhere. The tide of color beat upon me ceaselessly, relentlessly... It was color, color, color all the time, color, features and hair. Folks were never just folks. They were white folks! Black folks! Poor white crackers! No count niggers! Red necks! Darkies! Peckerwoods! Coons! Two shades lighter! Two shades darker! Dead white! Coal black! High Yellow! Mariny! Good hair! Bad hair! Stringy hair! Nappy hair! Thin lips! Thick lips! Red lips! Liver lips! Blue veined! Blue gummed! Straight nosed! Flat nosed!

To hear people talk, color, features and hair were the most important things to know about a person, a yardstick by which everybody measured everybody else.

Figurative writing uses specific techniques, called figures of speech, that are all metaphoric or symbolic in nature. In its broadest sense, a figure of speech is any intentional departure from the ordinary form, use, or arrangement of words for the purpose of making expression more striking or effective. Describing a man as "tall, strong and decisive" is literal imagery. Saying a man is a "stately, never-bending oak" is figurative imagery.

Ancient rhetoricians identified about 250 figures of speech. However, only a handful of these literary devices will be analyzed in class and are explained here.

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Before moving on, take a brief look at the way  figurative meaning is used in everyday life:

Figurative Meaning in Everyday Life

Literal Meaning

Figurative Meaning

Slang
"cool"
"hot"

"in style, to be admired"
"seen as sexually attractive"

Adage

"not playing with a full deck"
"kicked the bucket"
"two pork chops short of a mixed grill"

"mentally unstable"
"dead"
"mentally unstable"

Symbol

red ribbon

The disease AIDS and the fact
that we all have to support the
fight against it.

Poetry

"That the powerful play goes on
and you may contribute a verse."

Life goes on, and all of us can
contribute to it.
Song

"Can you sing with all the voices
of the mountain?"

Can you be aware of the world
and its entire environment?
Plot

The Lion King: a story of a little lion cub
whose father dies.

The Lion King: an allegorical coming-of-age
story of a lion cub who represents every young
person's growth into adulthood and responsibility.

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Metaphor and Simile

1. Metaphor and Simile are both used to compare things that are essentially unlike. In simile, the comparison is clearly expressed by some word or phrase, such as like, as, than, similar to, resembles or seems. In metaphor, the comparison is not clearly expressed. The figurative term is substituted for or identified with the literal term. In general, a simile refers only to a limited range of characteristics that the two things have in common. A metaphor may open up a whole range of symbolic or figurative meaning:

In metaphor, the figurative term need not be clearly identified, but can be suggested by the   words used. This is called an implied metaphor.

The following poem is a great example of both simile and implied metaphor:

Dream Deferred
by Langston Hughes

What happens to a dream deferred?
Does it dry up
Like a raisin in the sun?
Or fester like a sore--
And then run?
Does it stink like rotten meat?
Or crust and sugar over--
like a syrupy sweet?
Maybe it just sags
like a heavy load.
Or does it explode?

Express this idea without using
figurative language:

Similes: A dream deferred is like a raisin in the sun, a sore, rotten meat ...

Implied Metaphor: A dream deferred is a ticking time bomb.

By using these similes and implied metaphor, Hughes is saying something incredibly powerful about not letting people achieve their dreams.

There Is No Frigate Like A Book
by Emily Dickinson

There is no frigate like a book
To take us lands away,
Nor any coursers like a page
Of prancing poetry:
This traverse may the poorest take
Without oppress of toll;
How frugal is the chariot
That bears the human soul!

Can you describe the meaning of this
poem in everyday language:

Similes: A book is like a frigate; a page is like courser (horse).

Metaphors: A book is a chariot; a book is a freeway.

Metaphors are also evident in prose, as well as poetry:
Dawn came and as far as the eye could see the ocean was dotted with islands and fields of ice. Some floated with tapering mastheads. Some sailed with monstrous bows rising sheer to the pink-flushed sky, some glided the water in the shapes of ancient vessels. Between this pale fleet, the little life-boats rocked. There were other things caught upon the water--chairs and tables, crates, an empty gin bottle, a set of bagpipes, a cup without a handle, a creased square of canvas with a girl's face painted on it; and two bodies, she in a gown of ice with a mermaid's tail, he in shirt sleeves, the curls as stiff as wood shavings on his head, his two hands frozen to the curve of a metal rail. Beyond, where the sun was beginning to show its burning rim, smoke blew from a funnel.

--From Every Man for Himself, by Beryl Bainbridge

Bainbridge, who won England's equivalent of the National Book Award for this novel, uses ships as a metaphor for icebergs--entirely appropriate for a book about the Titanic.

     The way people die in caves is by going forward too fast, into wedges that trap them, rivers that drown them and mazes that defeat them until they give up for starve. The journey to what Bill Clinton called "the rock-bottom truth" feels now like a headlong descent, a process no one can control, toward resolutions no one can assure. There are Republicans looking for treasure down here--political power embedded for years to come. And there are Democrats looking for someone to blame. But for the rest of us, there is too little light, too little air, no compass, no ropes: this is not a spectator sport. We just want someone to show us the way out.                                                                                                                                               --from Time Magazine, Sept. 28, 1998

This excerpt from a news story shows that metaphor is not just limited to novels and poetry.

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Alliteration

Alliteration is the repetition of consonant sounds, used to achieve a strong texture of sound. It can be either cacophony, which means dissonance, or euphony, which means harmony.

We Real Cool
The Pool Players
Seven at the Golden Shovel
by Gwendolyn Brooks

We real cool. We
Left school. We
Lurk late. We
Strike straight. We
Sing sin. We
Thin gin. We
Jazz June. We
Die soon.

What are the consonant sounds that are repeated? Does it project a feeling of dissonance or harmony?

Does the use of alliteration help or hinder the mood the poet is trying to project?

Another related literary device is onomatopoeia,  the imitation of natural sounds by words. Some examples are: "the humming bee," "the cackling hen," "the whizzing arrow," and "the buzzing saw."

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Allusion

Allusion is a reference to literary, historical, political or cultural events or facts that the writer assumes that the reader knows about. In the poem "Paranoia "by Michael Dennis Brown, the author writes:

You go to teach; everyone who passes you in the corridor
knows you never finished Tristram Shandy.
You are the assistant professor no one associates with.

The allusion is to Tristram Shandy, an 18th Century novel that was very popular with the upper class in both England and United States, but which is fairly obscure today. In the poem, we assume the writer is a literature professor. If the person is worried about people thinking he does not know Tristram Shandy, what does it say about the person?

I am his search engine, his Minuteman long-range guided missile,
his Sears Tower, his ruby slippers, his Hope Diamond, his eternal
flame, his Rosebud... his Lord.

I am his banana peel, his smoking gun, his Manlicher Carcano
rifle, his Kathy Smith speedball, his John Dean, his Bruno Magli,
his Dodi Fayed, his Mark Chapman... his doom.

The above excerpt from Joe Eszterhas's riff on the Monica Lewinsky scandal , American Rhapsody, is filled with allusions to modern popular culture and recent political history. For example, the rifle reference  alludes to the specific make of rifle Oswald used to assassinate Kennedy. "Rosebud," of course, refers to the famous ending of Orson Welles' film Citizen Kane; "Rosebud" is the beloved sled from the main character's youth.

Special challenge: This is from the first person point-of-view monolgue from the last chapter of Eszterhas' book. Who or what do you think is speaking?

On the Vanity of Earthy Greatness
by Arthur Guiterman


The tusks that clashed in mighty brawls
Of mastodons, are billiard balls.
The sword of Charlemagne the Just
Is ferric oxide, known as rust.
The grizzly bear whose potent hug
Was feared by all, is now a rug.
Great Caesar's bust is on the shelf,
And I don't feel so well myself.

The Portent
by Herman Melville

Hanging from the beam,
slowly swaying (such the law),
Gaunt the shadow on your green,
Shenandoah!
The cut is on the crown
(Lo, John Brown),
And the stabs shall heal no more.
Hidden in the cap
Is the anguish none can draw;
So your future veils its face,
Shenandoah!
But the streaming beard is shown
(Weird John Brown)
The meteor of war.

The allusions in "Earthly Greatness" are to mastodons, Charlemagne, bears and Caesar.

The allusions in "The Portent" are to the Shenandoah Valley in Virginia and to John Brown, who incited a slave uprising and was later hung.

The poem also uses the metaphors "portent " and "meteor of war" for John Brown himself.

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Anaphora

Anaphora--the repetition of key words or phrases--is demonstrated well by this excerpt from Martin Luther King Jr.'s famous speech:

I say to you today, my friends, so even though we face the difficulties of today and tomorrow, I still have a dream. It is a dream deeply rooted in the American dream. I have a dream that one day this nation will rise up and live out the true meaning of its creed: "We hold these truths to be self-evident; that all men are created equal." I have a dream that one day on the red hills of Georgia the sons of former slaves and the sons of former slaveowners will be able to sit down together at the table of brotherhood.

I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skins, but by the content of their character....

And if America is to be a great nation, this must become true. So let freedom ring from the prodigious hilltops of New Hampshire. Let freedom ring from the mighty mountains of New York. Let freedom ring from the heightening Alleghenies of Pennsylvania! Let freedom ring from the snowcapped Rockies of Colorado! Let freedom ring from the curvaceous slops of California! But not only that; let freedom ring from Stone Mountain of Georgia! Let freedom ring from Lookout Mountain of Tennessee! Let freedom ring from every hill and every molehill of Mississippi. From every mountainside, let freedom ring.

And when this happens, and when we allow freedom to ring, when we let it ring from every village and every hamlet, from every state and every city, we will be able to speed up that day when all of God's children, black men and white men, Jews and Gentiles, Protestants and Catholics, will be able to join hands and sing in the words of the old Negro spiritual, "Free at last! Free at last! Thank God Almighty, we are free at last!"
                                                         
  --delivered at the Lincoln Memorial, Aug. 28, 1963

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Irony

Irony is among a variety of stylistic techniques in satire that may include incongruity, mockery, exaggeration and understatement, with which the satirist attacks a vice or folly. In irony, the intention of a statement or phrase is in sharp contrast to the literal meaning of the words and what is expected. Derived from the Greek eironeia ("simulated ignorance"), irony is a rhetorical device that depends on a knowing audience participating or collaborating with the author or speaker. Included in this is situational irony--Running enthusiast James Fixx dying of a heart attack; Princess Diana dying on night she was going to be proposed to. An example of literary irony is the suggestion, put forward with apparent seriousness by the English satirist Jonathan Swift in his Modest Proposal, that the poor people of Ireland should rid themselves of poverty by selling their children to the rich to eat.

Closely related to irony is incongruity, in which a part of the whole seems out of place. An example is the skin lotion commercial in which the crocodile walks through the white, elegant room. Situational irony reveals a striking incongruity between what is expected and what results, as when a pickpocket discovers that his or her pocket has been picked. Other examples of incongruity includes the old woman in The Wedding Singer or Chris Tucker and Jackie Chan as partners in Rush Hour.

All three of the following poems on the subject of love use irony and incongruity. The first--with its unexpected ending--satirizes drunkenness. The second is a powerful political statement made stronger by the incongruity of its title. The incongruity use of the words "gentle pornography" and "mad, mangled crocodile" in the third greatly contribute to the tone of the poem.

Love
Anonymous

There's the wonderful love of a beautiful maid,
And the love of a staunch true man,
And the love of a baby that's unafraid--
All have existed since time began.
But the most wonderful love, the Love of all loves,
Even greater than the love for Mother,
Is the infinite, tenderest, passionate love
Of one dead drunk for another.

Happy Marriage
by Taslima Nasrin*

My life,
like a sandbar, has been taken over by a monster of a man.
He wants my body under his control
so that if he wishes he can spit in my face,
                         slap me on the cheek,
and pinch my rear.
So that if he wishes he can rob me of my clothes
and take the naked beauty in his grip.
So that if he wishes he can pull out my eyes
so that if he wishes he can chain my feet
if he wishes, he can, with no qualms whatsoever,
                         use a whip on me
if he wishes, he can chop off my hands, my fingers.
If he wishes, he can sprinkle salt in the open wound,
he can throw ground-up black pepper in my eyes.
So that if he wishes he can slash my thigh with a dagger,
so that if he wishes he can string me up and hang me.

He wanted my heart under his control
so that I would love him:
in my lonely house at night,
sleepless, full of anxiety,
clutching at the window grille,
                         I would wait for him and sob.
My tears rolling down, I would bake homemade bread,
so that I  would drink, as if they were ambrosia,
the filthy liquids of his polygynous body.
So that loving him, I would melt like wax,
not turning my eyes toward any other man,
I would give proof of my chastity all my life.
So that, loving him
on some moonlit night I would commit suicide
                         in a fit of ecstasy.

*Note: Like Salmon Rushdie, Nasrin is also under a "fatwah"
or death threat from Islamic fundamentalists.

Translated from the Bengali, by Carolyne Wrigbt and Mobammad Nurul Huda,
with the author.
This poem appeared in the Sept. 12, 1994 issue of The New Yorker
.

Party Piece
by Brian Patten

He said:
'Let's stay here
Now this place has emptied
And make gentle pornography with one another,
While the partygoers go out
And the dawn creeps in,
Like a stranger.

Let us not hesitate
Over what we know
Or over how cold this place has become,
But let's unclip our minds
And let tumble free
The mad, mangled crocodile of love.'

So they did,
There among the woodbines and guinness stains,
And later he caught a bus and she a train
And all there was between them then
was rain.

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Meter

Meter is the formal measure of the rhythm of the language of poetry as it falls into regular patterns of stress and cadence when read. For example, iambic pentameter is a poetic form with each line containing five "feet"--each foot containing one stressed and one unstressed syllable--for a total of 10 syllables in each line. Here is the first line of the following poem, as it is broken down according to the meter of iambic pentameter:

1 2 3 4 5 6 7 8 9 10

If ev-er mer-cy move you mur-der me,

In contrast, blank verse is unrhymed iambic pentameter and free verse is poetry of any line length and placement on the page, with no fixed measure or meter. While writing according to an established meter sounds formal and restrictive, the following poem proves it can be anything but boring:

To the Mercy Killers
by Dudley Randall

If ever mercy move you murder me,
I pray you, kindly killer, let me live.
Never conspire with death to set me free,
but let me know such life as pain can give.
Even though I be a clot, an aching clench,
a stub, a stump, a butt, a scab, a knob,
a screaming pain, a putrefying stench,
still let me live, so long as life shall throb.
Even though I turn such traitor to myself
as be to die, do not accomplice me.
Even though I seem not human, a mute shelf
of glucose, bottled blood, machinery
to swell the lung and pump the heart--even so,
do not put out my life. Let me live.

What does the author mean when he says "even though I turn such traitor to myself as be to die, do not accomplice me"?

This poem can be viewed as a criticism of what current social issue?

How do the meter and rhythm of this poem accentuate its meaning?

What line in particular shows how meter can help stress a poem's meaning?

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Personification and Anthropomorphism

Personification is the representation of inanimate objects or abstract ideas as living beings, as in the sentences "Lean famine stalked the land," "Night enfolded the town in its ebon wings," and "So when he calls me, Death shall find me ready." These can also be described as "implied metaphor," with a thin, starving animal the metaphor for famine, a raven or crow a metaphor for night and a man the metaphor for death. Similarly, the following poem uses both personification and metaphor:

Fog
by Carl Sandburg

The fog comes
on little cat feet.

It sits looking
over harbor and city
on silent haunches
and then moves on.

In Greek, anthropos means "human being" and morphe means "shape."Anthropomorphism is the assigning of human characteristics to animals, natural phenomena, inanimate objects, or abstract ideas. The literary strategies of allegory  and fable often employ anthropomorphic characters. George Orwell's Animal Farm and Disney's The Lion King are examples.

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Satire (See also Irony)

Satire is an attack on human follies or vices, as measured against a religious, moral or social standard. Satire can involve a number of techniques, including:

Satire is frequently used to make a specific point in social commentary, editorials and politcal writing. Everyone can probably name at least two or three "Monica and Bill" jokes. A recent example of political satire is Rush Limbaugh is a Big Fat Idiot, by Harvard-educated humorist and screenwriter Al Franken. In something usually dry and utilitarian--the book's index--Franken shows the use of hyperbole and mockery:

INDEX

Ailes, Roger, fat like
     Limbaugh, 12 3, 146

ass, Limbaugh's fat, 3, 12,
     17-19, 21, 23, 27-31,
     48, 53, 56-112, 113,
     114, 115, 123-134, 146,
     148,151-175,176

blimp, Limbaugh size of, 6,
     18, 76, 94 (see also dirigible)

butt, Limbaugh's fat, 7, 13,
     14-16, 20, 22, 24-26,
     32-47, 54, 116-122
     133-145,177

balloon butt, Limbaugh's,
     72,112-114

lard butt, Limbaugh's, 18, 75,177

butterball, Limbaugh as, 3,
     17, 24, 112

blubber, Limbaugh as pile
     of, 2, 77

chubby, young Limbaugh as,
     3, 6, 21

   as cause of early problems
     with women, 17, 32, 145

diets, Limbaugh's failed attempts at,
     32,77, 208, 57-89,
    Grapefruit 500 diet, 67-113
     denounced by Limbaugh, 114-120
    NutriSystem, called "a fraud"
      by Limbaugh, 37-66
   Slim-Fast, 176-193
     Limbaugh's lawsuit against, 194-208

dirigible, Limbaugh size of,
     6, 18, 76, 94
     (See also Hindenburg)

Satire is not something restricted to modern political pundits and comics. Jonathan Swift's 1726 book, Gulliver's Travels, known by generations of children as an adventure tale, was intended as a satiric criticism

 If the censure of Yahoos could any way affect me, I should have great reason to complain that some of them are so bold as to think my book of travels a mere fiction out of my own brain, and have gone so far as to drop hints that the Houyhnhnms and Yahoos have no more existence than the inhabitants of Utopia.

The English 18th Century author Laurence Sterne mocks religious and philosophical pntificaters in this excerpt from Tristram Shandy:

...inasmuch as they are two operations differing from each other as wide as east is from west--So, says Locke,--so are farting and hickuping, say I. But in answer to this, Didius, the great church lawyer, in his code "de fartandi et illustrandi fallaciis," doth mention and make fully appear, That an illustration is no argument,--nor do I maintain the wiping of a looking-glass clean, to be a syllogism...

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Stanzas

Stanzas are the organized units of poetic lines that are divided into regular, separate groups. Stanzas can have--although not necessarily--a strict meter and a recurring rhyme pattern.

Harlem Hopscotch
by Maya Angelou

One foot down, then hop! It's hot.
Good things for the ones that's got.
Another jump, now to the left.
Everybody for hisself.

In the air, now both feet down.
Since you black, don't stick around.
Food is gone, the rent is due,
Curse and cry and then jump two.

All the people out of work,
Hold for three, then twist and jerk.
Cross the line, they count you out.
That's what hopping's all about.

Both feet flat, the game is done.
They think I lost. I think I won.

The meter and wording of this poem is reminiscent of what other kind of language? How does this style create a greater irony?

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Stream of Consciousness

A technique or method in modern narrative fiction that attempts to convey the characters' rambling thoughts. It is easily identified by a lack of or minimal amount of punctuation and the use of what are essentially long, run-on sentences.

The first known use of stream of consciousness is from the English 18th Century novel, Tristram Shandy, referred to earlier in the poem "Paranoia." Also known as The Life and Opinions of Tristram Shandy, Gentleman and written by Laurence Sterne, Tristram Shandy has been called "a strange, eccentric, endlessly complex masterpiece." (Its use of irreverence and satire is demonstrated elsewhere on this webpage. See Satire.)

The first widely-recognized example of this style is from the part of  James Joyce's Ulysses called  "Molly Bloom's Soliloquy." Written in 1922, Ulysses was banned in many countries and was not available in the United States until a major court case on obscenity in 1933. Ulysses is considered by many to be the single greatest written work in the English language! Molly Bloom's Soliloquy, written entirely in stream of consciousness, is literally one single sentence that goes on for 35 pages. Here is a sample:

...they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get roundhim and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe...                            

Like Dalton Trumbo in Johnny Got His Gun, Vietnam War Veteran Ron Kovic purposefully used stream of consciousness in parts of his famous book, Born on the Fourth , published in 1972:

(Lights flash, flash, flash standing by my rack now) sir! the private requests to make an emergency sitting head call WHAT DO YOU WANT KOVIC? sir! o god o jesus yessir aye aye sir one two aye aye sir If I die In a combat zone pack me up and ship me home COUNTDOWN--READY--SEATS! GET IN THE PASSAGEWAY SWEET-PEA AND GIVE ME FIVE HUNDRED BENDS AND THRUSTS--DO IT! BY THE LEFT FLANK --one two three four I love the Marine Corps THIS IS YOUR RIFLE LADIES I WANT YOU TO KNOW IT ALL OF IT EVERY PART OF IT! CANT YOU READ SWEETPEA? this is my rifle this is my gun this is for fighting this is for fun, Ask not what your country (the formation now) remember I can talk no I can't talk no I can't bring back by the river--with the rifle-America. America. God shed his grace on thee...

Don't think that "stream of consciousness" is just found in older, or more esoteric literature. This excerpt from How Stella Got Her Groove Back, by Terry McMillan, written in 1996 and made into a movie in 1998 is an example of  a popular, best-selling work in this style:

I walk from the kitchen into the family room and sit on the red leather love seat and I look around and see all this color all these different textures--those golden maple floors those celery concrete floors these purple plastered walls that teal suede sofa that black oak pool table that eggplant leather floor in my office and this silver slate under my feet--and I am proud that over years I have made my funky little California castle able to my needs my tastes and I have rigged equipped and outfitted it in such an unorthodox way that it might actually be impossible to sell even though I am not even thinking of moving anywhere but for some reason today like right this minute I am feeling imposed upon by all of it as if I went too far and now all this color all these juxtaposing textures are back-firing instead of soothing as they always have been even until just yesterday but not today and as I sit here and watch Phoenix shaking himself dry, I decide that to day maybe I should shake myself up a little too.

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Tone

Tone is the accumulated effect of style, mood and texture. What tone is conveyed by the following two well-known poems?

Funeral Blues
by W.H. Auden

Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He is Dead.
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East, my West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever: I was wrong.

The stars are not wanted now; put out every one,
Pack up the moon and dismantle the sun,
Pour away the ocean and sweep up the woods;
For nothing now can ever come to any good.

Ballad of Birmingham
(On the bombing of a church in Birmingham, Alabama, 1963)

"Mother dear, may I go downtown
Instead of out to play,
And march the streets of Birmingham
In a Freedom March today?"

"No, baby, no, you may not go,
For the dogs are fierce and wild,
And clubs and hoses, guns and jails
Aren't good for a little child."

"But, mother, I won't be alone,
Other children will go with me,
And march the streets of Birmingham
To make our country free."

"No, baby, no, you may not go,
For I fear those guns will fire.
But you may go to church instead
And sing in the children's choir."

She has combed and brushed her night-dark hair.
And bathed rose petal sweet,
And drawn white gloves on her small brown hands,
And white shoes on her feet.

The mother smiled to know her child
Was in the scared place,
But that smile was the last smile
To come upon her face.

For when she heard the explosion,
Her eyes grew wet and wild.
She raced through the streets of Birmingham
Calling for her child.

She clawed through bits of glass and brick,
Then lifted out a shoe.
"O, here's the shoe my baby wore,
But, baby, where are you?"

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